Episode 112 Amadeus Acoustics (Part 3)

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30 Jan 2025

Episode 112 Amadeus Acoustics (Part 3)

By Immersive Audio Podcast

 

Summary

In this three-part series of the Immersive Audio Podcast, Oliver Kadel travels to Vienna, Austria to meet –  Amadeus Acoustics. Their team of innovative engineers, seasoned acousticians, musicians and tonmeisters, developed solutions for acoustic enhancement for live music and speech in multi-purpose venues, concert halls and theatres. Amadeus Immersive Audio provides 3D sound source spatialisation and rendering with accurate localisation and envelopment for indoor and outdoor venues. In this final instalment, we’re going to explore a portfolio of case studies where Amadeus Active Acoustics and Immersive Audio systems were installed, we talk about the future roadmap for the company and you will hear about the upcoming announcement of the new platform.

Fabio Kaiser (Founder & CEO) Fabio Kaiser is an acoustician, audio engineer, musician, and lecturer. He holds degrees in Electrical Engineering and Audio Engineering from the Technical University of Graz and the University of Music in Graz. During his studies, he conducted research at IRCAM in Paris, the Audio Communication Group at TU Berlin, and the ISVR at the University of Southampton. Fabio has been a consultant at Rohde Acoustics since 2012 and became a partner in 2020. He is also the co-owner of the company. In 2022, he became the CEO of Amadeus Acoustics GmbH, a company he co-founded, where he played a key role in developing active acoustic systems and immersive audio algorithms. He is also a lecturer at the Technical University of Vienna and the University of Applied Sciences St. Pölten. From 2016 to 2022, Fabio served as the Managing Director of the Austrian Acoustics Association (AAA-OeGA) and remains active in professional associations such as DEGA, AES, and ASA. In 2023, he authored the book „Raumakustik – Wie man Räume hörgerecht besser gestaltet“. His mission is to create exceptional acoustic environments for music, communication, art, and entertainment while sharing the knowledge and experiences gained along the way.

Thorsten Rohde Co-Founder (Business Development) Thorsten Rohde, born on November 24, 1962, is a highly skilled electrical engineer and acoustics expert. He holds a degree in Electrical Engineering with a specialisation in audio technology from the Technical University of Graz. Over the years, Rohde has established himself as a leading figure in the field of acoustics. He is the founder of Rohde Acoustics GmbH and Co-founder of Amadeus Acoustics GmbH. With a rich professional background, Thorsten started his career at Siemens AG, where he worked on technical projects like the Munich Airport and the New Munich Trade Fair. In 2001, he launched his own engineering firm specialising in electroacoustics and sound reinforcement technology. Rohde also served as a court-appointed expert for noise prevention and acoustics until 2023. In addition to his entrepreneurial success, Thorsten is dedicated to education. He has been a lecturer at the Technical University of Graz since 2001 and at the University of Music and Performing Arts Vienna since 2013. His expertise extends across numerous professional organizations, and he has contributed to major acoustic projects. Outside of work, he enjoys sailing, playing guitar, and fly fishing.

Volker Werner Co-Founder & (CTO) Volker Werner began his classical piano training at the age of five. He later studied as a “Tonmeister” at the University of Music and Performing Arts Vienna, the University of Miami, and Banff Centre, Canada. In 2007, he co-founded PDV Records, specializing in sound design for concerts and shows, audio-visual productions and music for motion picture. His work includes major events like the Vienna Festival opening, Disney in Concert, and Opera in the Quarry, as well as televised performances with renowned artists such as Nikolaus Harnoncourt and Diana Damrau. Werner is a lecturer at the University of Music and Performing Arts Vienna. As CTO of Amadeus Acoustics, he is dedicated to advancing the capabilities of active acoustics for both musicians and audiences. A career highlight was the opening concert in Andermatt featuring the Berlin Philharmonic Orchestra, where Amadeus played a key role in realizing the groundbreaking acoustic experience.

Kaspar Glattfelder (Technical Consultant) Kaspar Glattfelder is an acoustic engineer and musician based in Vienna, Austria. He completed the master’s degree in “Elektrotechnik-Toningenieur” at the technical university in Graz where he gathered a profound knowledge in all significant areas of acoustics. The bachelor’s degree was concluded with a deep dive into active acoustic systems in cooperation with Amadeus Acoustics in the course of the temporary installation at the “Kasematten” in Graz. He later worked as an acoustic engineer, involved in spatial audio applications and signal processing as well as acoustic design of microphones. As an acoustic/technical consultant at Amadeus Acoustics, Glattfelder’s role is to create concepts and technical drawings of new installations and support the clients to successfully complete the projects.

Jörn Nettingsmeier (Tuning Partner) Jörn studied music at Folkwang University Essen and computer science at University Duisburg-Essen, and has been freelancing as a sound and event engineer since the 90s. At Amadeus, he works as a tuning specialist, assists clients in project planning, and teaches workshops for new colleagues and partners. He is a master craftsman of event engineering and a member of the board at Verband Deutscher Tonmeister. Jörn lives in Amsterdam, The Netherlands.

María Cecilia (Chechi) Ayalde Ángel Marketing Coordinator Maria Cecilia Ayalde Angel, or ‘Chechi’, is a sound engineer from Bogotá, Colombia, now residing in Brighton, UK. Chechi’s journey with Amadeus Acoustics began during her bachelor’s internship at Austria’s Oper im Steinburch, where she worked alongside co-founder Volker in the live sound team. The experience was Chechi’s first exposure to Amadeus’s technology in an open space, and it sparked her fascination with the company’s innovative approach to sound. Since 2022, Maria has supported Amadeus as a freelance community manager and recently transitioned to Marketing Coordinator. In her current role, she oversees the development and execution of marketing strategies, manages digital content, and builds industry relationships to engage new audiences. Chechi’s background in both sound engineering and marketing helps bridge the gap between Amadeus’s technical innovations and the needs of its community.

Simon Neeten (R&D Engineer) Simon Neeten holds a Bachelor’s degree in Media Technology from the University of Applied Sciences Hamburg. He gained hands-on experience as a sound engineer for a well-known radio station and later worked as a project engineer. Simon is currently pursuing a Master’s in Electrical Engineering and Audio Engineering at Graz University of Technology to deepen his knowledge of acoustics and signal processing. This program complements his work at Amadeus, where he focuses on solving acoustic challenges and signal-processing tasks. In his free time, he enjoys playing the guitar.

Ineke Hellingman (International Business Development) Ineke Hellingman is a Dutch concert pianist, studying in Amsterdam and in Paris at the Ecole normale de musique Alfred Cortot. Her interest in technological innovation within the cultural field led to her working in the vibrant international start-up scene for innovative companies such as Music Traveler (founded by Aleksey Igudesman) and VeloConcerts. As a cultural manager, she has hosted many cultural productions in Europe, such as festivals (Festival Piano Prestige in Béziers, France), academies (Academie Philippe Jaroussky in Paris), as well as managing large educational projects. Ineke joined Amadeus in 2020 and has taken on various roles throughout the company’s development. Most recently, she became responsible for international business development at Amadeus Acoustics.

Listen to Podcast

Show Notes

Amadeus Acoustics Website – https://amadeus-acoustics.com/

Amadeus Technology – https://amadeus-acoustics.com/art

Amadeus Showrooms – https://amadeus-acoustics.com/showrooms

Amadeus Academy – https://amadeus-acoustics.com/academy

LinkedIn – https://www.linkedin.com/company/amadeus-acoustics/

Immersive Audio Podcast Masterclass

How to access the content from our Immersive Audio Podcast Masterclass series? Head out to our Patreon. The sessions are designed to enhance your practical learning experience and are delivered by world-class experts. The livestream contains video demonstrations and spatial audio playback with live Q&A. Keep up to date with our upcoming events, announcements and industry news by subscribing to our newsletter.

Survey

We want to hear from you! We really value our community and would appreciate it if you would take our very quick survey and help us make the Immersive Audio Podcast even better: surveymonkey.co.uk/r/3Y9B2MJ Thank you!

Credits

This episode was produced by Oliver Kadel and Emma Rees and included music by Rhythm Scott.

23 Jan 2025

Episode 111 Amadeus Acoustics (Part 2)

By Immersive Audio Podcast

 

Summary

In this three-part series of the Immersive Audio Podcast, Oliver Kadel travels to Vienna, Austria to meet –  Amadeus Acoustics. Their team of innovative engineers, seasoned acousticians, musicians and tonmeisters, developed solutions for acoustic enhancement for live music and speech in multi-purpose venues, concert halls and theatres. Amadeus Immersive Audio provides 3D sound source spatialisation and rendering with accurate localisation and envelopment for indoor and outdoor venues. In part two, we’re going to talk about the tools and workflow for content creation, how acoustics can fundamentally affect how musicians perform in space and we’ll do a deep dive into the system tuning.

Fabio Kaiser (Founder & CEO)

Fabio Kaiser is an acoustician, audio engineer, musician, and lecturer. He holds degrees in Electrical Engineering and Audio Engineering from the Technical University of Graz and the University of Music in Graz. During his studies, he conducted research at IRCAM in Paris, the Audio Communication Group at TU Berlin, and the ISVR at the University of Southampton. Fabio has been a consultant at Rohde Acoustics since 2012 and became a partner in 2020. He is also the co-owner of the company. In 2022, he became the CEO of Amadeus Acoustics GmbH, a company he co-founded, where he played a key role in developing active acoustic systems and immersive audio algorithms. He is also a lecturer at the Technical University of Vienna and the University of Applied Sciences St. Pölten. From 2016 to 2022, Fabio served as the Managing Director of the Austrian Acoustics Association (AAA-OeGA) and remains active in professional associations such as DEGA, AES, and ASA. In 2023, he authored the book „Raumakustik – Wie man Räume hörgerecht besser gestaltet“. His mission is to create exceptional acoustic environments for music, communication, art, and entertainment while sharing the knowledge and experiences gained along the way.

Thorsten Rohde Co-Founder (Business Development)

Thorsten Rohde, born on November 24, 1962, is a highly skilled electrical engineer and acoustics expert. He holds a degree in Electrical Engineering with a specialisation in audio technology from the Technical University of Graz. Over the years, Rohde has established himself as a leading figure in the field of acoustics. He is the founder of Rohde Acoustics GmbH and Co-founder of Amadeus Acoustics GmbH. With a rich professional background, Thorsten started his career at Siemens AG, where he worked on technical projects like the Munich Airport and the New Munich Trade Fair. In 2001, he launched his own engineering firm specialising in electroacoustics and sound reinforcement technology. Rohde also served as a court-appointed expert for noise prevention and acoustics until 2023. In addition to his entrepreneurial success, Thorsten is dedicated to education. He has been a lecturer at the Technical University of Graz since 2001 and at the University of Music and Performing Arts Vienna since 2013. His expertise extends across numerous professional organizations, and he has contributed to major acoustic projects. Outside of work, he enjoys sailing, playing guitar, and fly fishing.

Volker Werner Co-Founder & (CTO)

Volker Werner began his classical piano training at the age of five. He later studied as a “Tonmeister” at the University of Music and Performing Arts Vienna, the University of Miami, and Banff Centre, Canada. In 2007, he co-founded PDV Records, specializing in sound design for concerts and shows, audio-visual productions and music for motion picture. His work includes major events like the Vienna Festival opening, Disney in Concert, and Opera in the Quarry, as well as televised performances with renowned artists such as Nikolaus Harnoncourt and Diana Damrau. Werner is a lecturer at the University of Music and Performing Arts Vienna. As CTO of Amadeus Acoustics, he is dedicated to advancing the capabilities of active acoustics for both musicians and audiences. A career highlight was the opening concert in Andermatt featuring the Berlin Philharmonic Orchestra, where Amadeus played a key role in realizing the groundbreaking acoustic experience.

Kaspar Glattfelder (Technical Consultant)

Kaspar Glattfelder is an acoustic engineer and musician based in Vienna, Austria. He completed the master’s degree in “Elektrotechnik-Toningenieur” at the technical university in Graz where he gathered a profound knowledge in all significant areas of acoustics. The bachelor’s degree was concluded with a deep dive into active acoustic systems in cooperation with Amadeus Acoustics in the course of the temporary installation at the “Kasematten” in Graz. He later worked as an acoustic engineer, involved in spatial audio applications and signal processing as well as acoustic design of microphones. As an acoustic/technical consultant at Amadeus Acoustics, Glattfelder’s role is to create concepts and technical drawings of new installations and support the clients to successfully complete the projects.

Jörn Nettingsmeier (Tuning Partner)

Jörn studied music at Folkwang University Essen and computer science at University Duisburg-Essen, and has been freelancing as a sound and event engineer since the 90s. At Amadeus, he works as a tuning specialist, assists clients in project planning, and teaches workshops for new colleagues and partners. He is a master craftsman of event engineering and a member of the board at Verband Deutscher Tonmeister. Jörn lives in Amsterdam, The Netherlands.

María Cecilia (Chechi) Ayalde Ángel Marketing Coordinator

Maria Cecilia Ayalde Angel, or ‘Chechi’, is a sound engineer from Bogotá, Colombia, now residing in Brighton, UK. Chechi’s journey with Amadeus Acoustics began during her bachelor’s internship at Austria’s Oper im Steinburch, where she worked alongside co-founder Volker in the live sound team. The experience was Chechi’s first exposure to Amadeus’s technology in an open space, and it sparked her fascination with the company’s innovative approach to sound. Since 2022, Maria has supported Amadeus as a freelance community manager and recently transitioned to Marketing Coordinator. In her current role, she oversees the development and execution of marketing strategies, manages digital content, and builds industry relationships to engage new audiences. Chechi’s background in both sound engineering and marketing helps bridge the gap between Amadeus’s technical innovations and the needs of its community.

Simon Neeten (R&D Engineer)

Simon Neeten holds a Bachelor’s degree in Media Technology from the University of Applied Sciences Hamburg. He gained hands-on experience as a sound engineer for a well-known radio station and later worked as a project engineer. Simon is currently pursuing a Master’s in Electrical Engineering and Audio Engineering at Graz University of Technology to deepen his knowledge of acoustics and signal processing. This program complements his work at Amadeus, where he focuses on solving acoustic challenges and signal-processing tasks. In his free time, he enjoys playing the guitar.

Ineke Hellingman (International Business Development)

Ineke Hellingman is a Dutch concert pianist, studying in Amsterdam and in Paris at the Ecole normale de musique Alfred Cortot. Her interest in technological innovation within the cultural field led to her working in the vibrant international start-up scene for innovative companies such as Music Traveler (founded by Aleksey Igudesman) and VeloConcerts. As a cultural manager, she has hosted many cultural productions in Europe, such as festivals (Festival Piano Prestige in Béziers, France), academies (Academie Philippe Jaroussky in Paris), as well as managing large educational projects. Ineke joined Amadeus in 2020 and has taken on various roles throughout the company’s development. Most recently, she became responsible for international business development at Amadeus Acoustics.

Listen to Podcast

Show Notes

Amadeus Acoustics Website – https://amadeus-acoustics.com/

Amadeus Technology – https://amadeus-acoustics.com/art

Amadeus Showrooms – https://amadeus-acoustics.com/showrooms

Amadeus Academy – https://amadeus-acoustics.com/academy

LinkedIn – https://www.linkedin.com/company/amadeus-acoustics/

Immersive Audio Podcast Masterclass

How to access the content from our Immersive Audio Podcast Masterclass series? Head out to our Patreon. The sessions are designed to enhance your practical learning experience and are delivered by world-class experts. The livestream contains video demonstrations and spatial audio playback with live Q&A. Keep up to date with our upcoming events, announcements and industry news by subscribing to our newsletter.

Survey

We want to hear from you! We really value our community and would appreciate it if you would take our very quick survey and help us make the Immersive Audio Podcast even better: surveymonkey.co.uk/r/3Y9B2MJ Thank you!

Credits

This episode was produced by Oliver Kadel and Emma Rees and included music by Rhythm Scott.

17 Jan 2025

Episode 110 Amadeus Acoustics (Part 1)

By Immersive Audio Podcast

 

Summary

In this three-part series of the Immersive Audio Podcast, Oliver Kadel travels to Vienna, Austria to meet –  Amadeus Acoustics. Their team of innovative engineers, seasoned acousticians, musicians and tonmeisters, developed solutions for acoustic enhancement for live music and speech in multi-purpose venues, concert halls and theatres. Amadeus Immersive Audio provides 3D sound source spatialisation and rendering with accurate localisation and envelopment for indoor and outdoor venues. In part one, you’ll learn about active acoustics and hear a binaural demonstration of the system.

Fabio Kaiser (Founder & CEO)

Fabio Kaiser is an acoustician, audio engineer, musician, and lecturer. He holds degrees in Electrical Engineering and Audio Engineering from the Technical University of Graz and the University of Music in Graz. During his studies, he conducted research at IRCAM in Paris, the Audio Communication Group at TU Berlin, and the ISVR at the University of Southampton. Fabio has been a consultant at Rohde Acoustics since 2012 and became a partner in 2020. He is also the co-owner of the company. In 2022, he became the CEO of Amadeus Acoustics GmbH, a company he co-founded, where he played a key role in developing active acoustic systems and immersive audio algorithms. He is also a lecturer at the Technical University of Vienna and the University of Applied Sciences St. Pölten. From 2016 to 2022, Fabio served as the Managing Director of the Austrian Acoustics Association (AAA-OeGA) and remains active in professional associations such as DEGA, AES, and ASA. In 2023, he authored the book „Raumakustik – Wie man Räume hörgerecht besser gestaltet“. His mission is to create exceptional acoustic environments for music, communication, art, and entertainment while sharing the knowledge and experiences gained along the way.

Thorsten Rohde Co-Founder (Business Development)

Thorsten Rohde, born on November 24, 1962, is a highly skilled electrical engineer and acoustics expert. He holds a degree in Electrical Engineering with a specialisation in audio technology from the Technical University of Graz. Over the years, Rohde has established himself as a leading figure in the field of acoustics. He is the founder of Rohde Acoustics GmbH and Co-founder of Amadeus Acoustics GmbH. With a rich professional background, Thorsten started his career at Siemens AG, where he worked on technical projects like the Munich Airport and the New Munich Trade Fair. In 2001, he launched his own engineering firm specialising in electroacoustics and sound reinforcement technology. Rohde also served as a court-appointed expert for noise prevention and acoustics until 2023. In addition to his entrepreneurial success, Thorsten is dedicated to education. He has been a lecturer at the Technical University of Graz since 2001 and at the University of Music and Performing Arts Vienna since 2013. His expertise extends across numerous professional organizations, and he has contributed to major acoustic projects. Outside of work, he enjoys sailing, playing guitar, and fly fishing.

Volker Werner Co-Founder & (CTO)

Volker Werner began his classical piano training at the age of five. He later studied as a “Tonmeister” at the University of Music and Performing Arts Vienna, the University of Miami, and Banff Centre, Canada. In 2007, he co-founded PDV Records, specializing in sound design for concerts and shows, audio-visual productions and music for motion picture. His work includes major events like the Vienna Festival opening, Disney in Concert, and Opera in the Quarry, as well as televised performances with renowned artists such as Nikolaus Harnoncourt and Diana Damrau. Werner is a lecturer at the University of Music and Performing Arts Vienna. As CTO of Amadeus Acoustics, he is dedicated to advancing the capabilities of active acoustics for both musicians and audiences. A career highlight was the opening concert in Andermatt featuring the Berlin Philharmonic Orchestra, where Amadeus played a key role in realizing the groundbreaking acoustic experience.

Kaspar Glattfelder (Technical Consultant)

Kaspar Glattfelder is an acoustic engineer and musician based in Vienna, Austria. He completed the master’s degree in “Elektrotechnik-Toningenieur” at the technical university in Graz where he gathered a profound knowledge in all significant areas of acoustics. The bachelor’s degree was concluded with a deep dive into active acoustic systems in cooperation with Amadeus Acoustics in the course of the temporary installation at the “Kasematten” in Graz. He later worked as an acoustic engineer, involved in spatial audio applications and signal processing as well as acoustic design of microphones. As an acoustic/technical consultant at Amadeus Acoustics, Glattfelder’s role is to create concepts and technical drawings of new installations and support the clients to successfully complete the projects.

Jörn Nettingsmeier (Tuning Partner)

Jörn studied music at Folkwang University Essen and computer science at University Duisburg-Essen, and has been freelancing as a sound and event engineer since the 90s. At Amadeus, he works as a tuning specialist, assists clients in project planning, and teaches workshops for new colleagues and partners. He is a master craftsman of event engineering and a member of the board at Verband Deutscher Tonmeister. Jörn lives in Amsterdam, The Netherlands.

María Cecilia (Chechi) Ayalde Ángel Marketing Coordinator

Maria Cecilia Ayalde Angel, or ‘Chechi’, is a sound engineer from Bogotá, Colombia, now residing in Brighton, UK. Chechi’s journey with Amadeus Acoustics began during her bachelor’s internship at Austria’s Oper im Steinburch, where she worked alongside co-founder Volker in the live sound team. The experience was Chechi’s first exposure to Amadeus’s technology in an open space, and it sparked her fascination with the company’s innovative approach to sound. Since 2022, Maria has supported Amadeus as a freelance community manager and recently transitioned to Marketing Coordinator. In her current role, she oversees the development and execution of marketing strategies, manages digital content, and builds industry relationships to engage new audiences. Chechi’s background in both sound engineering and marketing helps bridge the gap between Amadeus’s technical innovations and the needs of its community.

Simon Neeten (R&D Engineer)

Simon Neeten holds a Bachelor’s degree in Media Technology from the University of Applied Sciences Hamburg. He gained hands-on experience as a sound engineer for a well-known radio station and later worked as a project engineer. Simon is currently pursuing a Master’s in Electrical Engineering and Audio Engineering at Graz University of Technology to deepen his knowledge of acoustics and signal processing. This program complements his work at Amadeus, where he focuses on solving acoustic challenges and signal-processing tasks. In his free time, he enjoys playing the guitar.

Ineke Hellingman (International Business Development)

Ineke Hellingman is a Dutch concert pianist, studying in Amsterdam and in Paris at the Ecole normale de musique Alfred Cortot. Her interest in technological innovation within the cultural field led to her working in the vibrant international start-up scene for innovative companies such as Music Traveler (founded by Aleksey Igudesman) and VeloConcerts. As a cultural manager, she has hosted many cultural productions in Europe, such as festivals (Festival Piano Prestige in Béziers, France), academies (Academie Philippe Jaroussky in Paris), as well as managing large educational projects. Ineke joined Amadeus in 2020 and has taken on various roles throughout the company’s development. Most recently, she became responsible for international business development at Amadeus Acoustics.

Listen to Podcast

Show Notes

Amadeus Acoustics Website – https://amadeus-acoustics.com/

Amadeus Technology – https://amadeus-acoustics.com/art

Amadeus Showrooms – https://amadeus-acoustics.com/showrooms

Amadeus Academy – https://amadeus-acoustics.com/academy

LinkedIn – https://www.linkedin.com/company/amadeus-acoustics/

Immersive Audio Podcast Masterclass

How to access the content from our Immersive Audio Podcast Masterclass series? Head out to our Patreon. The sessions are designed to enhance your practical learning experience and are delivered by world-class experts. The livestream contains video demonstrations and spatial audio playback with live Q&A. Keep up to date with our upcoming events, announcements and industry news by subscribing to our newsletter.

Survey

We want to hear from you! We really value our community and would appreciate it if you would take our very quick survey and help us make the Immersive Audio Podcast even better: surveymonkey.co.uk/r/3Y9B2MJ Thank you!

Credits

This episode was produced by Oliver Kadel and Emma Rees and included music by Rhythm Scott.

06 Sep 2024

Episode 105 Sol Rezza (Dimensions of a Sphere)

By Immersive Audio Podcast

Announcement

We’re excited to announce the launch of the Immersive Audio Podcast Masterclass series. The sessions are designed to enhance your practical learning experience and are delivered by world-class experts. We go a level deeper by providing video demonstrations, spatial audio playback and an exclusive opportunity to interact with our expert guests. https://www.eventbrite.com/e/immersive-audio-podcast-masterclass-with-dr-hyunkook-lee-tickets-977952280597

We proudly present our first expert guest Dr. Hyunkook Lee, Professor of Audio and Psychoacoustic Engineering, and the Director of the Applied Psychoacoustics Laboratory (APL), University of Huddersfield, UK. In this masterclass, our audience will learn about psychoacoustic and cognitive aspects of binaural perception, the binauralasation technology and practical use cases of Virtuoso. https://apl-hud.com/product/virtuoso/

Summary

In this episode of the Immersive Audio Podcast, Oliver Kadel and Monica Bolles are joined by the composer and sound designer – Sol Rezza from Buenos Aires, Argentina.

Sol Rezza is a composer, sound designer, and audio engineer who has carved a path in the realms of immersive narratives and spatial audio. Residing in Mexico for 14 years enriched her understanding of soundscapes and aboriginal narratives concerning time and space. This exploration period led to a diverse skill set, including sound engineering, sound design, room acoustics, spatial audio, and immersive audio.

Rezza’s sonic creations invite audiences to reflect on how sound can redefine their relationship with the environment and the technological developments surrounding them. By employing cutting-edge methodologies such as adaptive spatial processing, real-time interactive sound design, and AI-driven audio synthesis, her goal is to establish new standards for experimental immersive sonic narratives. 

Believing in the power of collaboration, Sol actively participates in the independent creative community by organizing workshops and discussions that foster dialogue and learning in immersive audio experiences. These initiatives invite independent producers to explore their own narrative proposals, enhancing both technical skills and critical thinking about the evolving landscape of sound. 

Her portfolio includes notable works such as the album “SPIT” (2011), praised by the American press, and performances like “In the Darkness of the World” (2015), which was described as a captivating blend of sounds evoking otherworldly realms. In 2021, her audiovisual installation “Catastrophic Forgetting” debuted at the X-Church Cultural Center, utilizing a state-of-the-art multichannel sound system. 

Currently, Sol is researching the influence of advanced audio technologies on digital storytelling. Through her work, she aims to inspire the next generation of audio artists and professionals, expanding the vital role of sound in shaping our perceptions of time and space.

Sol talks about her projects whilst exploring concepts of time and space through the lens of new technologies such as spatial audio and artificial intelligence.

Listen to Podcast

Show Notes

Sol Rezza LinkedIn – https://www.linkedin.com/in/solrezza/

Sol Rezza Official Website – https://solrezza.net/en/

Sol Rezza Research – https://solrezza.net/en/immersive-audio-research/

Sol Rezza Instagrm – https://www.instagram.com/sol.rezza/

Sol Rezza – Youtube – https://www.youtube.com/solrezza

Sol Rezza Email – [email protected]

The Turbulence Sound Matrix – https://archive.aec.at/media/assets/38c52969b8c4fec6cd15e091fc08cc58.pdf

Survey

We want to hear from you! We really value our community and would appreciate it if you would take our very quick survey and help us make the Immersive Audio Podcast even better: surveymonkey.co.uk/r/3Y9B2MJ Thank you!

Credits

This episode was produced by Oliver Kadel and Emma Rees and included music by Rhythm Scott.

26 Jan 2024

Episode 95 Gavin Kearney & Helena Daffern (AudioLab, University of York)

By Immersive Audio Podcast

This episode is sponsored by HHB Communications, the UK’s leader in Pro Audio Technology. For years HHB has been delivering the latest and most innovative pro audio solutions to the world’s top recording studios, post facilities, and broadcasters. The team at HHB provide best-in-class consultation, installation, training, and technical support to customers who want to build or upgrade their studio environment for immersive audio workflow. To find out more or book a demo at their HQ facility visit www.hhb.co.uk

Summary

In this episode of the Immersive Audio Podcast, Oliver Kadel is joined by Professors Gavin Kearney and Helena Daffern from the AudioLab at the School of Physics Engineering and Technology at the University of York, UK.

Gavin Kearney is a Professor of Audio Engineering at the School of Physics Engineering and Technology at the University of York. He is an active researcher, technologist and sound designer for immersive technologies and has published over a hundred articles and patents relating to immersive audio. He graduated from Dublin Institute of Technology in 2002 with an honours degree in Electronic Engineering and has since obtained both MSc and PhD degrees in Audio Signal Processing from Trinity College Dublin. He joined the University of York as a Lecturer in Sound Design at the Department of Theatre, Film and Television in January 2011 and moved to the Department of Electronic Engineering in 2016. He leads a team of researchers at York Audiolab which focuses on different facets of immersive and interactive audio, including spatial audio and surround sound, real-time audio signal processing, Ambisonics and spherical acoustics, game audio/audio for virtual and augmented reality and recording and audio post-production technique development.

Helena Daffern is currently a Professor in Music Science and Technology at the School of Physics Engineering and Technology at the University of York. Her research utilises interdisciplinary approaches to investigate voice science and acoustics, particularly singing performance, vocal pedagogy, choral singing and singing for health and well-being. Recent projects explore the potential of virtual reality to improve access to group singing activities and as a tool for singing performance research. She received a BA (Hons.) degree in music, an M.A. degree in music, and a PhD in music technology, all from the University of York, UK, in 2004, 2005, and 2009. She went on to complete training as a classical singer at Trinity College of Music and worked in London as a singer and teacher before returning to York. Her research utilises interdisciplinary approaches to investigate voice science and acoustics, particularly singing performance, vocal pedagogy, choral singing and singing for health and well-being. Recent projects explore the potential of virtual reality to improve access to group singing activities and as a tool for singing performance research.

Helena and Gavin talk about the recently announced CoSTAR project – the initiative focuses on leveraging a novel R&D in virtual production technologies including CGI, spatial audio, motion capture and extended reality to create groundbreaking live performance experiences.

Listen to Podcast

Show Notes

Gavin Kearney Linkedin – https://www.linkedin.com/in/gavin-p-kearney/?originalSubdomain=uk

Helena Daffern Linkedin – https://www.linkedin.com/in/helena-daffern-32822439/?originalSubdomain=uk

AudioLab – https://audiolab.york.ac.uk/

University of York – https://www.york.ac.uk/

CoSTAR Project – https://audiolab.york.ac.uk/audiolab-at-the-forefront-of-pioneering-the-future-of-live-performance-with-a-new-rd-lab/

BBC Maida Vale Studios – https://www.bbc.co.uk/showsandtours/venue/bbc-maida-vale-studios 

AudioLab goes to BBC Maida Vale Recording Studios – https://audiolab.york.ac.uk/audiolab-goes-to-bbc-maida-vale-recording-studios/

Project SAFFIRE – https://audiolab.york.ac.uk/saffire/

Our Sponsors

Innovate Audio offers a range of software-based spatial audio processing tools. Their latest product, panLab Console, is a macOS application that adds 3D spatial audio rendering capabilities to live audio mixing consoles, including popular models from Yamaha, Midas and Behringer. This means you can achieve an object-based audio workflow, utilising the hardware you already own. Immersive Audio Podcast listeners can get an exclusive 20% discount on all panLab licences, use code Immersive20 at checkout. Find out more at innovateaudio.co.uk *Offer available until June 2024.*

HOLOPLOT is a Berlin-based pro-audio company, which features the multi-award-winning X1 Matrix Array. X1 is software-driven, combining 3D Audio-Beamforming and Wave Field Synthesis to achieve authentic sound localisation and complete control over sound in both the vertical and horizontal axes. HOLOPLOT is pivoting the revolution in sound control, enabling the positioning of virtual loudspeakers within a space, allowing for a completely new way of designing and experiencing immersive audio on a large scale. To find more, visit holoplot.com.

Survey

We want to hear from you! We really value our community and would appreciate it if you would take our very quick survey and help us make the Immersive Audio Podcast even better: surveymonkey.co.uk/r/3Y9B2MJ Thank you!

Credits

This episode was produced by Oliver Kadel and Emma Rees and included music by Rhythm Scott.

15 Dec 2023

Episode 92 Mariam Gviniashvili (Composing in Spatial Audio)

By Immersive Audio Podcast

Summary

This episode is sponsored by Innovate Audio. Innovate Audio offers a range of software-based spatial audio processing tools. Their latest product, panLab Console, is a macOS application that adds 3D spatial audio rendering capabilities to live audio mixing consoles, including popular models from Yamaha, Midas and Behringer. This means you can achieve an object-based audio workflow, utilising the hardware you already own. Immersive Audio Podcast listeners can get an exclusive 20% discount on all panLab licences, use code Immersive20 at checkout. Find out more at innovateaudio.co.uk *Offer available until June 2024.* 

In this episode of the Immersive Audio Podcast, Oliver Kadel and Monica Bolles are joined by composer and sound artist Mariam Gviniashvili from Oslo, Norway. 

Mariam works as a composer and sound artist  – combining electronics, electroacoustics and 3D sound technology with visuals, dance and live performance to penetrate deep into the physical and emotional essence of sound and space. Growing up in eastern Georgia, she sang and played the piano, and studied composition in Tbilisi, Budapest and Oslo. Through her subject matter, her compositions display a curiosity about the world and society – from distractions during online meetings in DAYDREAMING (2022), to the viral patterns in DECONSTRUCTION (2020). Other works explore the Syrian war, a globally- sourced collection of songs and prayers, and a river soundscape in Oslo. Gviniashvili’s music has appeared at festivals all over the world – the New York Electroacoustic Music Festival (USA), BEAST FEaST (UK), Transitions at CCRMA (USA), ICMC (Korea), Mixtur Festival (Spain), ARD Hoerspieltage (Germany), Ars Electronica (Austria), Klingt Gut (Germany), Heroines of Sound (Germany) and Ultima Festival (Norway).

Mariam talks about her journey as a conventional composer evolving into a multidisciplinary sound artist performing her work in spatial audio on multi-channel arrays in different immersive spaces across the world.

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Show Notes

Mariam Gviniashvili Website – https://www.mariamgviniashvili.com

Mariam Gviniashvili Linkedin – https://www.linkedin.com/in/mariam-gviniashvili-140a3989/

Mariam Gviniashvili Bandcamp – https://mariamg.bandcamp.com/

Mariam Gviniashvili YouTube – https://www.youtube.com/@mariamgartist

NOTAM – https://notam.no/meetups/the-ambisonics-salon/

Q&A: Mariam Gviniashvili, Artist & Composer – https://www.balticimmersive.net/blog/interview-with-mariam-gviniashvili

Survey

We want to hear from you! We really value our community and would appreciate it if you would take our very quick survey and help us make the Immersive Audio Podcast even better: surveymonkey.co.uk/r/3Y9B2MJ Thank you!

Credits

This episode was produced by Oliver Kadel and Emma Rees and included music by Rhythm Scott.

28 Nov 2023

Episode 91 SXSW 2024 Panel Acceptance Announcement

By Immersive Audio Podcast

Summary

We have a big announcement to make – Immersive Audio Podcast are going to SXSW 2024!

We are hosting the panel “State of Play of Immersive Audio: Past, Present & Future”.

It’s been almost six years since we started the Immersive Audio Podcast and as we are coming up to our 100th release anniversary we wanted to mark this milestone with a special edition at SXSW 2024. With the hindsight of releasing almost 100 episodes, we’ve met a lot of companies and experts covering a broad spectrum of topics fundamental to our industry. This panel will highlight the key indicative developments that have defined the immersive audio industry for the past decade, reflect on the current trends and look forward to the future.

Our expert guests will feature Audioscenic Limited covering binaural audio over speakers on consumer devices and HOLOPLOT discussing spatial audio for large-scale immersive events. We’ll moderate the panel as well as discuss our own work in the space of interactive live performance in immersive spaces and spatial and interactive sound design in immersive media production.

Audioscenic – https://www.audioscenic.com/

HOLOPLOT – https://holoplot.com/

If you’d like to learn more about our panelists go to your favorite podcast app or our website and check out Episodes 75/76 featuring Audioscenic (Binaural Audio Over Speakers) and Episodes 77/85 HOLOPLOT (3D Audio – Beamforming and Wave Field Synthesis).

Our audience will receive a comprehensive overview of what defines immersive audio as a whole in the modern multifaceted world of digital media. We’ll provide an overview of core technologies, formats and distribution platforms along with associated challenges and opportunities. Attentive audience members will get a range of unique perspectives from panel experts that can be helpful for education and business development.

This panel is aimed at Sound Engineers, Sound Designers, Musicians, Mixers, Gamers, Writers, Audio Tech Consumers, Academics, Immersive Content Makers and general Tech Enthusiasts…

If you’re planning to attend and would like to arrange to meet us, please get in touch via [email protected]

The panel will be recorded and released on our podcast channel as Episode 100th.

We’d like to thank all our listeners who voted for us and your continued support!

Listen to Podcast

Show Notes

Panel Details, State of Play of Immersive Audio: Past, Present & Future – https://schedule.sxsw.com/2024/events/PP132288

Episode 75 Audioscenic Binaural Audio Over Speakers (Part 1) – https://immersiveaudiopodcast.com/episode-75-audioscenic-binaural-audio-over-speakers-part-1/

Episode 76 Audioscenic Binaural Audio Over Speakers (Part 2) – https://immersiveaudiopodcast.com/episode-76-audioscenic-binaural-audio-over-speakers-part-2/

Episode 77 HOLOPLOT (3D Audio-Beamforming and Wave Field Synthesis) – https://immersiveaudiopodcast.com/episode-77-holoplot-3d-audio-beamforming-and-wave-field-synthesis/

Episode 85 Roman Sick (HOLOPLOT) – https://immersiveaudiopodcast.com/episode-85-roman-sick-holoplot/

23 Nov 2023

Episode 90 Halina Rice (Electronic Music Production & Live Performance)

By Immersive Audio Podcast

Summary

This episode is sponsored by Innovate Audio. Innovate Audio offers a range of software-based spatial audio processing tools. Their latest product, panLab Console, is a macOS application that adds 3D spatial audio rendering capabilities to live audio mixing consoles, including popular models from Yamaha, Midas and Behringer. This means you can achieve an object-based audio workflow, utilising the hardware you already own. Immersive Audio Podcast listeners can get an exclusive 20% discount on all panLab licences, use code Immersive20 at checkout. Find out more at innovateaudio.co.uk *Offer available until June 2024.*

In this episode of the Immersive Audio Podcast, Oliver Kadel and Monica Bolles are joined by electronic music producer and AV artist Halina Rice, from London, UK. 

Halina Rice is an ‘immersive first’ electronic music producer and AV artist working at the intersection of music, art and technology with her sold-out live shows being described as “part rave, part art-happening.” Creating music that spans from abstract sound design to beat-driven IDM, her performances and installations are often presented in spatial sound in both physical venues as well as metaverse and VR environments. Halina also gives masterclasses and keynotes on the use of spatial sound in immersive performance.

Halina talks about the process of producing and preparing for her live sets, working with L-Acoustic’s L-ISA system, and shares practical insights on how performing with a spatial audio array differs from working with traditional playback systems.

Listen to Podcast

Newsboard

Our friends at the Sennheiser Ambeo Mobility team are on the lookout for a Senior Audio Engineer, check out the link for more details – https://www.linkedin.com/jobs/view/3725223871/

Show Notes

Halina Rice Website – https://www.halinarice.com/

Halina Rice Linkedin – https://www.linkedin.com/in/halina-rice-322b441/

Halina Rice Instagram – https://www.instagram.com/halinarice_music/

Creating with L-ISA Studio x Halina Rice – https://www.youtube.com/watch?v=eouXXJwmXO4

HALINA RICE – IMMERSIVE LIVESET AT EARTH, LONDON – https://www.youtube.com/watch?v=339pQhXJnVE

Halina Rice performing live in The Blueprint – https://www.youtube.com/watch?v=3FAtoOR5tXM

AOMedia Advances the Audio Innovation Era with First-ever Audio Specification Offered Under Its Royalty-free License – https://aomedia.org/press%20releases/AOMedia-Advances-the-Audio-Innovation-Era/

HARMAN Professional Solutions To Acquire FLUX SOFTWARE ENGINEERING – https://news.harman.com/releases/harman-professional-solutions-to-acquire-flux-software-engineering

Episode 45 Guillaume Le Nost (L-Acoustics) – https://immersiveaudiopodcast.com/episode-45-guillaume-le-nost-l-acoustics/

Episode 57 Hugo Larin (Flux:: Immersive – SPAT Revolution) – https://immersiveaudiopodcast.com/episode-57-hugo-larin-flux-immersive-spat-revolution/

Survey

We want to hear from you! We really value our community and would appreciate it if you would take our very quick survey and help us make the Immersive Audio Podcast even better: surveymonkey.co.uk/r/3Y9B2MJ Thank you!

Credits

This episode was produced by Oliver Kadel and Emma Rees and included music by Rhythm Scott.

17 Nov 2023

Episode 89 John-Henry Dale & Merijn Royaards (Sonic Sphere)

By Immersive Audio Podcast

Summary

This episode is sponsored by Innovate Audio. Innovate Audio offers a range of software-based spatial audio processing tools. Their latest product, panLab Console, is a macOS application that adds 3D spatial audio rendering capabilities to live audio mixing consoles, including popular models from Yamaha, Midas and Behringer. This means you can achieve an object-based audio workflow, utilising the hardware you already own. Immersive Audio Podcast listeners can get an exclusive 20% discount on all panLab licences, use code Immersive20 at checkout. Find out more at innovateaudio.co.uk *Offer available until June 2024.*

In this episode of the Immersive Audio Podcast, Monica Bolles is joined by musicians and audio engineers John Henry Dale and Merijn Royaards from Miami, US.

John Henry Dale is an immersive media artist, musician and entrepreneur focused on live spatial audio and video performance, based between Miami and New York. He holds an MSc in Digital Composition and Performance from the University of Edinburgh and composes, performs, and produces music across a range of genres from electronica, jazz, funk, Latin, global bass and ambient, to avant-garde and serialist composition projects. He has also worked extensively in the confluence of IT, Web, AV, Live Streaming, and Immersive Media technology at The Regional Arts and Culture Council, New World Symphony, Hive Streaming and Linkedin.  Most recently in July of 2023, he worked with Merijn Royaards and the Sonic Sphere project to help create custom spatial audio mixes in SPAT, Reaper and Ableton Live of selected works for the Sonic Sphere residency at the Shed and also created a personalised spatial audio mix and listening session for Mike Bloomberg and Marina Abramovic. John Henry performed his live music for his “In Viridi Lux” spatial audio performance project inside the Sonic Sphere as part of a 2023 Miami Individual Artist grant funded by the National Endowment for The Arts and the Miami-Dade Cultural Affairs Department.

Merijn Royaards is a sound architect, researcher, and performer guided by convoluted movements through music, art, and spatial studies. The interaction between space and sound in cities with a history/present of conflict has been a recurring theme in his multimedia works to date. His 2020 awarded doctoral thesis explores the state-altering effects of sound, space, and movement from the Russian avant-garde to today’s clubs and raves. He is one part of a critical essay film practice with artist-researcher Henrietta Williams and teaches sound design for film and installation art at the Bartlett School of Architecture.

JH and Merijn talk about the evolution of Sonic Sphere as a concept, playback system and performance space. They talk about the practical aspects of crafting and experiencing different spatial audio content within the spherical structures.

Listen to Podcast

Newsboard

Our friends at the Sennheiser Ambeo Mobility team are on the lookout for a Senior Audio Engineer, check out the link for more details – https://www.linkedin.com/jobs/view/3725223871/

Show Notes

John Henry Dale Linkedin – https://www.linkedin.com/in/johnhenrydale/

John Henry Dale Website – https://johnhenrydale.com/

Merijn Royaards – https://www.linkedin.com/in/merijn-royaards-82867a273/

Sonic Sphere – https://www.sonic-sphere.com

Survey

We want to hear from you! We really value our community and would appreciate it if you would take our very quick survey and help us make the Immersive Audio Podcast even better: surveymonkey.co.uk/r/3Y9B2MJ Thank you!

Credits

This episode was produced by Oliver Kadel and Emma Rees and included music by Rhythm Scott.

03 Nov 2023

Episode 88 Dave Marston & Matt Firth (BBC R&D)

By Immersive Audio Podcast

Summary

This episode is sponsored by Innovate Audio. Innovate Audio offers a range of software-based spatial audio processing tools. Their latest product, panLab Console, is a macOS application that adds 3D spatial audio rendering capabilities to live audio mixing consoles, including popular models from Yamaha, Midas and Behringer. This means you can achieve an object-based audio workflow, utilising the hardware you already own. Immersive Audio Podcast listeners can get an exclusive 20% discount on all panLab licences, use code Immersive20 at checkout. Find out more at innovateaudio.co.uk *Offer available until June 2024.*

In this episode of the Immersive Audio Podcast, Oliver Kadel and Monica Bolles are joined by the members of the BBC R&D Audio team Dave Marston and Matt Firth from the United Kingdom.

Dave is part of the audio team in BBC R&D, having joined the corporation in 2000. His role in the audio team is mainly involved in the development of the Audio Definition Model (ADM), Next Generation Audio (NGA), and standardisation.   His main area of standardisation work for many years has been at the ITU, representing both the BBC and the UK. Over this period, he has been involved in the standardisation of the ADM, Serial ADM, and the BW64 file format, as well as other related standards and reports. Over many years Dave has worked closely with the EBU and currently chairs the AS-PSE group on personalised sound experiences. One area the group is currently working on is a production profile for the ADM. Past EBU work includes audio codec subjective testing, the BWAV file format, and other ADM-related projects.  Dave has also worked on many collaborative projects over many years, some of which were EU-funded projects (such as ICoSOLE and Orpheus) and some were part of the BBC’s Audio Research Partnership working with Universities.   The most recent area of ADM-related work Dave has been involved in is looking at its use in live production scenarios. This work has included a live trial of Serial ADM, the ADM-OSC protocol, and NGA codecs with the 2023 Eurovision Song Contest.

Matt Firth is a Project R&D Engineer in the Audio Team at BBC Research and Development and leads a workstream on the production of audio experiences. Matt joined BBC R&D in 2015 and has been working on audio production tools and workflows for the past 8 years with a particular focus on Next Generation Audio (NGA) and spatial audio. His work with the BBC has included developing spatial audio tools for live binaural production at scale for the BBC Proms and developing the production tools used for the ORPHEUS project which demonstrated an end-to-end object-based media chain for audio content. Matt has also been involved in standardisation work around the Audio Definition Model (ADM) through the ITU since 2019. He is part of the development team behind the EAR Production Suite which facilitates NGA production using ADM. Recently, Matt was involved in running the live ADM production trials for the Eurovision Song Contest. He also developed some of the production tools and rendering software used during the trial.

We talk about the Next Generation Audio for Live Event Broadcasting, covering aspects such as immersion, interactivity, personalisation and workflows featuring cutting-edge codecs and metadata for Audio Definition Model (ADM), Serial ADM (S-ADM), and OSC-ADM.

Listen to Podcast

Newsboard

Our friends at the Sennheiser Ambeo Mobility team are on the lookout for a Senior Audio Engineer, check out the link for more details – https://www.linkedin.com/jobs/view/3725223871/

Show Notes

Dave Marston Linkedin – https://www.linkedin.com/in/dave-marston-5231961/

Matt Firth Linkedin – https://www.linkedin.com/in/matt-firth-mf/

BBC R&D Website – https://www.bbc.co.uk/rd

BBC R&D Blog – https://www.bbc.co.uk/rd/blog

Live Next Generation Audio trial at Eurovision 2023 – https://www.bbc.co.uk/rd/blog/2023-06-eurovision-next-generation-audio

The EAR Production Suite (EPS) – https://ear-production-suite.ebu.io/

L-ISA – https://l-isa.l-acoustics.com/

New AirPods Pro Support ‘groundbreaking ultra-low latency audio protocol’ for Vision Pro – https://www.roadtovr.com/apple-vision-pro-low-latency-audio-protocol-airpods-pro/

Razer is Releasing Noise Cancelling Wireless Earbuds for Quest 3 – https://www.roadtovr.com/razer-quest-3-noise-cancelling-earbuds/

Audiomovers release landmark plugin Binaural Renderer for Apple Music – https://audiomediainternational.com/audiomovers-release-landmark-plugin-binaural-renderer-for-apple-music/

SPAT Revolution Now Supports Audio-Technica’s BP3600 Immersive Audio Microphone – https://audioxpress.com/news/spat-revolution-now-supports-audio-technica-s-bp3600-immersive-audio-microphone

Sphere Las Vegas – https://www.thespherevegas.com/

Survey

We want to hear from you! We really value our community and would appreciate it if you would take our very quick survey and help us make the Immersive Audio Podcast even better: surveymonkey.co.uk/r/3Y9B2MJ Thank you!

Credits

This episode was produced by Oliver Kadel and Emma Rees and included music by Rhythm Scott.

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